Here's some of our recent Irish accented work. Listen to more, including full files here, or watch more videos on our YouTube channel.
Aside from having a great Northern Irish voice, Bronagh is also an award-winning actor and much in-demand screenwriter... with a killer right hook.
As an actor best known as DC Gail McNally in hit BBC crime thriller The Fall, she has worked extensively across film, television, theatre and radio. Her credits include Ulysses (BBC Radio 4),
Aside from having a great Northern Irish voice, Bronagh is also an award-winning actor and much in-demand screenwriter... with a killer right hook.
As an actor best known as DC Gail McNally in hit BBC crime thriller The Fall, she has worked extensively across film, television, theatre and radio. Her credits include Ulysses (BBC Radio 4), Playboy of the Western World (Old Vic Theatre), Dancing at Lughnasa (English National Tour), the acclaimed London premiere of Lisa McGee's Girls and Dolls, and the English premiere of Jump!. Comedy credits include London Irish and Derry Girls for Channel 4, Finding Joy for RTE, The Paddy Raff Show, and multiple BBC radio sketch shows. Drama includes the BAFTA-winning Occupation.
Bronágh is currently writing original pilots with Hillbilly Films and Mighty Atom, both for BBC NI. Her original project Guard is in development with Kudos, based on the short film of the same name that she previously wrote and starred in (and which was produced and directed by Jonathan). She is adapting the novel Hell Bay by Kate Rhodes for Two Cities Television and is in early development on The Family a series for Euston Films. Other credits include multiple episodes across all three series of BBC NI’s student drama 6Degrees; several episodes of The Lodge for Disney; and Flatmates, Millie Inbetween and Dani's Castle for CBBC.
Her native Northern Irish accent is warm and light, but can also have an professional edge when needed.
Her right hook is neither warm nor light.
One of Northern Ireland's leading voice actors and an award-winning podcaster, Jonathan is also an award-winning director... who pops up in Star Wars.
As an actor, Jonathan's experiences range from BBC period dramas to Ridley Scott produced Sci-Fi, from the National Theatre to the Bond stage, working in a huge variety of accents, and ha
One of Northern Ireland's leading voice actors and an award-winning podcaster, Jonathan is also an award-winning director... who pops up in Star Wars.
As an actor, Jonathan's experiences range from BBC period dramas to Ridley Scott produced Sci-Fi, from the National Theatre to the Bond stage, working in a huge variety of accents, and having been directed by some of the best, including Lynsey Miller, Stephen Frears, Lewis Arnold, Nick Murphy, Ralph Fiennes, Rian Johnson, Oliver Hirschbiegel, David Farr, and Dominic Cooke. Most recently he gave a "highly-charged, emotive turn" in Jimmy McGovern's hit BBC drama, Time (Esquire), and is currently filming brand new BBC police drama Blue Lights.
Jonathan has directed both commercials and a number of award winning films. His first, Guard, listed James Nesbitt among its Executive Producers, screened at BAFTA, Oscar and EFA qualifiers, and took an award in the Best Drama category of the European Independent Film Awards. His second, Troubles, funded by BFI Network via NI Screen, was selected to premiere at a BFI and NI Screen showcase event at BAFTA, and following further selections at leading international festivals, and a number of awards, was accepted onto the British Council’s short support scheme, showcasing the film internationally. In 2021, he completed two short documentaries and a narrative feature. The first, a self-shot short doc entitled Leaving the Lake, premiered at Docs Ireland in August. The second, The Empty Chair, another short doc, funded by BFI via Northern Ireland Screen, focuses on the subject of teenage suicide. The third, entitled Stumbling, is a fictional documentary about strained relationships within a single family. All three films will be screening at festivals internationally in 2022.
His voice is warm and well-rounded, and he was once described as "leaving an afterglow like a good whiskey" (Time Out).* Work for Jameson inevitably followed.
*Afterglow not guaranteed.
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